Pirro Mani's wheel and Edi Rama's wheel

There is no Albanian actor or director who does not know this emblematic story of the master Piro Mani!
In Enver's time, before a play was shown to the public, it was scrutinized by a hybrid political-artistic commission. Piro had placed a cart wheel on the set, which had no connection with either the form or the content of the play. After the commission saw the entire play, it met to discuss the observations and suggestions of the occasion.
- Well, the play was good, but that cart wheel didn't seem to belong there... - the first one said
- But why not, it's good! It shows the connection with the village....
The meeting continued as long as it wanted! Everyone talked and chatted, but not about the play: they talked about the wheel. In the end, they suggested to the director that it would be best to remove it altogether. Piro agreed without hesitation to remove the wheel from the set and the meeting closed, giving unquestioning approval to the play for the public.
When they went outside, one of the committee members, in confidence, said to him:
- Okay, Piro, but won't you tell me why you put that cartwheel on?
- So that you could deal - as you did - only with him and not break my ass for the part!
Edi Rama's "Diella" is no different from Piro's wheel! Since Thursday, the people and the media have been dealing with Diella, while the episode with 18 "Diella" passed without any comment at all.
So why, how are Elisa, Adea, Mirela, Blendi and company different from Diella? Diella is an application programmed by IT and AI specialists, just like her 17 colleagues are programmed, directed and controlled by a single "specialist": Rama.
Po ndodh...
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